The Elephant Man A Critical Analysis Essay Sample free essay sample

From the originative point of position of an audience. so Bernard Pomerance has succeeded in conveying out the true beauty of the imagination in the bookThe Elephant Man( Pomerance. 1979 ) . In the first topographic point. there is the strong sense of expectancy as Pomerance does non let his audience to glimpse Merrick sans mask until his visual aspect has been built up well. With this anticipation. Pomerance has nevertheless brought the audience to a no-dramatic-music. no-slow-motion landscape but a simple cut-to-cut until an up-front sight of the elephant adult male. No large trade as it has appeared to a certain consequence. But aesthetically. it was the effortless reading of beauty – petroleum yet honest to world. This is the beauty of Pomerance’s literary way. We are led through our morbid wonder at the same rate the characters in the book are. We develop aboard them. More specifically. we develop aboard Frederick Treeves. We will write a custom essay sample on The Elephant Man: A Critical Analysis Essay Sample or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page played with an amazing sublimity of emotion by Anthony Hopkins in its large screen version. Following to Treeves we pity Merrick. regard him. commiseration him once more. and so inquire ourselves with him. â€Å"Is he merely a spectacle to me? Am I a bad individual? † ( Pomerance. 1979 ) . Visuals are as of import to the over all quality of a book as the secret plan and word picture. The manner a book is presented is one of the cardinal elements that make it a authoritative or so. a floating-point operation. And the book’s movie version is stupefying. In sharp black and white. the movie recalls the cinematic technique of American film circa the 1930’s. Gorgeous black and white filming gives this topic the category it deserves. The scenes dissolve into one another ; there is no alert redaction. The lighting is unbroken subdued during dark scenes. balanced during daytime scenes-this is standard book-making of the epoch. A fantastic mark by John Morris helps give it a stalking beauty and lets the encephalon focal point more on sound than sight. The one aside from this signifier are the clearly Pomeranceian surrealities-pseudo-dream-sequences of commendably original imagination that break up the book and service as distinguishable mood-setters for the audienc e ( Pomerance. 1979 ) . Bernard Pomerance’s portrayal of Victorian society. in the bookThe Elephant Man. is both powerful and affecting ( Logan. 2001 ) . The book is deeply different in executing. Bernard Pomerance seems less concerned with undertaking the Victorian quandary than concentrating on the beauty in the animal subject ( Goodlad. 2003 ) . Sing Pomerance’s captivation with organic phenomena this focal point seems much more up his back street ( Himmelfarb. 1993 ) . Not to advert that the film version elicits outstanding public presentations from all the dramatis personae and succeeds in bring forthing a deeply humanist piece of film. Furthermore. the book besides embarks upon the defeats of Merrick every bit good as the remainder of theaesthetically challengedpeople’s â€Å"unique beauty† and favoritism crises.The Elephant Manis beyond doubt a superb mind’s merchandise every bit much as a defeated heart’s ideas ( Faville White. 2000 ) . It is particularly an exceptionally cherished and cosy literature. Any reader can decidedly experience a package of the John Merrick’s deepest ordeal of as he started to give grounds to his universe that is transforming from a timid â€Å"creature† to a cared for human being ( Andrews. 2007 ) . Merricks’ individuality was fragmented and sheathed in an individuality merely associatory with a mercenary society’s prejudices and physical penchant. Even if he wanted to make out to the laypeople. people would maintain him and force him to remain behind ( Faville White. 2000 ) . While the first few chapters are talking for the horrid persons in general. the latter dives deeper into a more personal degree of the literature ; it is bit by bit sketching the psyche that is no less than John Merrick himself ( Andrews. 2007 ) . Finally. the thoughts of ego and echt humanitarianism morning upon Merrick. which renders his a testament to the resilient beauty of any human being.The Elephant Mannowadayss an expose of beauty that is both precise and internally disking. This exactness of The Elephant Man’s life’s similitude of world together with the author’s distinct enunciation present a cruel world in which physically different people grow ineluctably ( Pomerance. 1979 ) . John Merrick has been associated with decreased liquors. lower efficiency and a greater chance to see awful emphasis and nonappearance in the major activities in their community. As he goes through favoritism. he sometimes speaks of holding feeling of timidness or letdown and lowered degrees of self-pride ( Davis. 1995 ) . As he senses that his individuality and animalism are non cherished. he besides lives through lowered degrees of assurance and self-respect and believe that he has are non welcome in their vicinity and at big. in the society. This mentality has brought about Merrick’s feeling of denouncement of his ain values and an ensuing loss of individualism ( Andrews. 2007 ) . The agreement of the literature’s secret plan points is composed of a scope of forces placed in such a manner that they would works a possible clang and give an explosive final payment towards the terminal. and its karyon is made up of an expounding of the battles between these obliging events. As it portrays persons within tremendous. remorseless scenery. this work of fiction topographic points really extreme religion in the installation of persons to assume good religion with unsightly. abhorrent persons as Merrick ( Pomerance. 1979 ) . John Merrick expresses his religion in ultimate felicity. which rests non on personal satisfaction. victory or even physical beauty. but to a certain extent in the subordination of the ego to something wide-ranging. Although love found in friendly relationship has some type of value. it is non the head good for which worlds should take. It must be sound relationships ( Pomerance. 1979 ) . Like what Merrick did in eventually happening his dignity. the modern Merricks today have to reserve for themselves no option to turn against the society. The more of import cogent evidence of energy is the unchanged truth profoundly entrenched in the society that aesthetically challenged people are worthier than of all time with or without the physical yardstick of the societal order. Peoples with disablements by no agencies have neer of all time taken their shoulder off from those who seek it and pour their cryings to ( Davis. 1995 ) . It is so. the affectional view of the book that brings in the greatest signifier of aestheticism any socially perceptive book could hold. The story-telling was all right but Pomerance has it better with the executing ; with the word picture of beauty from the minority’s point of position. observing that this minority sees no monsters or non-monsters in the truest aesthetic sense. To see person so beautiful. dignified. and alone. hidden behind a organic structure and face that society considers ugly. could do us recognize how the organic structure is a disintegrating heap of dust. but the psyche is a breath-taking and unambiguously formed indestructible treasure. Giving an unusual sense of aestheticism.The Elephant Manshows that the true monsters aren’t those with disfigured organic structures. but those with disfigured psyches ( Pomerance. 1979 ) .The Elephant Manis merely one of those rare books which give one penetration into the human status. at its ugliest and most beautiful. Plants Cited Andrews. R. McCants. John Merrick: A Biographical Sketch. New York: Kessinger. 2007. Davis. Lennard. Enforcing Normality: Disability. Deafness. and the Body. New York: Verso. 1995. Faville White. Bowen. Why Normal Isn’t Healthy: How to Find Heart. Meaning. Passion. and Humor on the Road Most Traveled. Center City: Hazelden. 2000. Goodlad. Lauren. Victorian Literature and the Victorian State: Fictional character and Governance in a Broad Society. Baltimore: The Johns Hopkins University Press. 2003. Himmelfarb. Gertrude. The De-moralization Of Society: From Victorian Virtues to Modern Values. New York: Alfred A. Knopf. Inc. . 1993. Logan. Thad. The Victorian Parlor: A Cultural Study. New York: Cambridge University Press. 2001. Pomerance. Bernard. The Elephant Man. New York: Grove Press. 1979.